Tag: historical fiction

  • Why I Like Period Pieces. Period!

    Why I Like Period Pieces. Period!

    English Lit class, many moons ago. The professor has just announced that the next novel we have to read will be Pride and Prejudice (somehow it always ends up being about Jane Austen!).

    As you may imagine, his announcement met with groans, mainly from students of the male persuasion (get it? Persuasion). I, however, cheered inwardly. I loved P&P. I had read it countless times. And now I was going to get to talk about it, write about it, and get tested on it!!! Oh, life was good.

    Toward the end of the semester, my teacher made some interesting points that have stuck with me to this day, things that explained why I’d always loved books about people from yesteryear. He said something about how people don’t write in the past, they write in the present—their present, which is the time period all action takes place. We often say things like, “Time flies,” mainly because we don’t know what else to say, or “There’s never enough time,” as if it is a tangible thing that we can hold, hoard, and quantify. But does time really pass us by or do we pass through time?

    The Stuff Life is Made Of

    The idea of time travel has always captured my imagination, perhaps because as kid I regularly traveled through time. I read books like Little Women, and the Anne of Green Gables series. They were transportive and timely.

    Timely, in the sense that all writers write their stories in their present. Their stories are not about archaic sounding/acting people, but modern people living in modern times. By their words and actions, it may become apparent to us that they are governed by a set of mores and manners that we have perhaps outgrown. Occasionally they will mention a mode of conveyance (brougham) that differs slightly from what we’re used to, or a character will appear in a scene wearing a garment or hairstyle (pompadour, hoop skirt) that is unfamiliar to us. Yet despite these superficial differences we recognize something that transcends time or place—the human heart.

    As Sting said, “the Russians love their children too.” Or as Jack so profoundly pointed out in a vintage Jack in the Box commericial, in Italy, it isn’t called Italian food, it’s called food.

    As a side note, some of the male students confessed that they actually liked Pride and Prejudice, much to their surprise. The lesson: don’t get hung up on differences; just give Pride & Prejudice a chance; food is food; time travel is possible (all you need is a good book).

  • The Scarlet Pimpernel: Book Review

    The Scarlet Pimpernel: Book Review

    sp

    I was first exposed to The Scarlet Pimpernel by my ninth grade English teacher whose approach to teaching ninth grade English seems to have been getting literature down the throats of teenagers by any means necessary. More often than not, this meant showing us the movie version of novels rather than actually requiring us to read them. One spring day, we watched the 1982 version of The Scarlet Pimpernel with Anthony Andrews and Jane Seymour. I was smitten.

    Shortly thereafter, I found a used copy for sell at my local public library and for just $0.25 the world of Sir Percy Blakeney and Marguerite Blakeney was mine! I devoured it. Twice smitten.

    The Scarlet Pimpernel is a cat and mouse tale of an English nobleman who is hell-bent on saving his French counterparts from the bloody blade of the guillotine during the French Revolution. He has the annoying habit of leaving the symbol of a red flower (a scarlet pimpernel) behind as a calling card and this has made everyone curious about his identity. The English have put him on a pedestal; the French have put a price on his head.

    The book is filled with adventure, near-misses, secret identities, lies, espionage, shocking revelations, an arch-nemesis, and things that could/would never happen in real life, forcing you to suspend disbelief (just a tad). But that’s why we read fiction, isn’t it? I know there are a myriad of other reasons we read fiction, but sometimes it does come down to escapism, pure and simple.

    However, despite all of the high drama, danger and excitement, there is a part of me that sees The Scarlet Pimpernel simply as a love story. Not as a simple love story; maybe, and perhaps more accurately, a love triangle along the lines of the Clark Kent-Lois Lane-Superman love triangle.

    Marguerite is married to Sir Percy, but she is in love with the idea of another whose initials also are S.P. (hum…) Sir Percy seemed like a decent guy when she agreed to marry him but alas, now he seems doltish, and what’s even worse, he seems quite indifferent to her. Sir Percy and Marguerite’s marriage is in crisis. True, it’s not as big a crisis as the French Revolution, but Baroness Orczy has skillfully juxtaposed one against the other. As the drama of the revolution plays out in the background and the world (well, France) falls apart, we can quietly explore the anatomy of a failing marriage (and possibly contemplate such questions as: How well can you really know the person closest to you? Do you only know what he/she chooses to reveal to you? Could you forgive the ultimate betrayal? Did those glasses really fool Lois Lane? Really?!)

    In the end, The Scarlet Pimpernel is a sweet and tender tale that proves you can never hide your true essence from the one who loves you best.

    Plus, it’s about a hero. We can never have too many heroes. The Scarlet Pimpernel is one for the ages.

  • Little Women: Book Review

    Little Women: Book Review

    Little Woman book cover

    If anyone asked my nine-year-old self what was my favorite book, they would have gotten the unequivocal and quite enthusiastic answer, “Little Women by Louisa May Alcott…of course!”

    I found in the March sisters a group of girls that I was destined to be friends with. The moment I first glimpsed them grumbling in their living room about the dreadfulness of being poor, I thought, Aha! Kindred spirits.

    Little Women is a coming of age saga following the lives of the aforementioned March sisters (Meg, Jo, Beth, and Amy-four girls who range in age from sixteen to twelve at the novel’s beginning) and the boy next door, Theodore (Laurie) Lawrence, who becomes best friends with the second oldest sister, the tomboyish Jo.

    The Marches live at Orchard House, and when the novel opens, we see that they are a family of reduced circumstances (hence, the grumbling in the opening scene). Their beloved father is away fighting in the Civil War, leaving the girls in the watchful care of their mother, whom they lovingly call Marmee. Marmee serves as the guiding force/conscience of the novel as she endeavors to shape and mold the character of her “little women.”

    Over the years, we follow the March sisters’ adventures, antics, mishaps, learn about their hopes and dreams (their castles in the air), share their disappointments and losses—share their lives—and we feel as if we are experiencing it all first-hand, along with them. At least I know I did.

    Some people say Little Women is saccharine, preachy, and/or old-fashioned. I couldn’t disagree more. It is a story about real people. They just happen to belong to a highly functional, loving family living in the late 1800s (if that is your idea of artificial sweetness, you have my pity). These girls don’t have it easy. The March girls work at thankless jobs for pitiful wages. They brave the freezing weather in threadbare coats with hot potatoes in their pockets to warm their icy fingers. They wear re-worked, shabby (last season’s) dresses to balls while other girls have the latest fashions from Paris. They make hard, brave choices, like choosing to marry for love when the expedient thing would have been to marry for money.

    I love(d) Little Women the same way you might love a real live, complicated person: despite what I consider glaring faults, despite being—on occasion—mystified by its choices, and despite the fact that it hurt and disappointed me.

    Here’s the thing: Little Women did not end the way I wanted it to. I’m not going to be a spoiler here, but I will say that Little Women is no fairy tale. The nine-year-old that I was loved a fairy tale, and this book didn’t have the happily ever after she was yearning for. At least, not in the traditional sense. More in the “and they made the best of things” sense. But, after all, in reality, that’s pretty much the way life turns out. It turns out the way it does and then you make the most of it. That was a hard lesson for me to learn as an eager, bookish kid pouring over her favorite novel, but it turned out to be a valuable one, one that was impressed upon me over the many years, re-reads, and hours spent pondering and wondering and finally coming to terms/peace with the way Louisa May Alcott chose to tell her story.