Category: Maxwell Parker

  • Not all heroes wear capes

    Not all heroes wear capes

    I was at the mall recently and was dismayed to see that capes are in again this fall/winter. (Perhaps they were ponchos, but for the sake of my point, I’m calling them capes.) Maybe ponchos/capes have never been out, because I seem to remember having this reaction every year. Whatever the case, they were on display everywhere, and I assume people were buying them.

    Not this kind of gaucho…
    …this kind

    I kind of feel like capes are the gauchos of outerwear (gauchos, as in the half-pants, half-skirt fashion concoction that designers occasionally try to foist on unsuspecting female consumers, not gauchos as in the people…obviously).

    No offense, but I firmly believe that there is no good reason to ever wear a pair gauchos, unless you’ve taken a time machine back to the 1970s. (Excuse me, Three’s Company is calling…Janet and Chrissy want their gauchos back.)

    Back in first grade, when used to spend recess twirling on the twirling bars, gaucho-like clothes made sense. If we happend to wear a dress to school and forgot to wear shorts under our dress, our underwear would show as we twirled. This very inconvenient problem could easily have been solved with a pair of gauchos, or culotes, or a skort. When we were little kids, clothes that could pull double-duty were useful and felt cool.

    In my opinion, a cape is another such (vain) attempt to be two things at once. It seems to be trying, for some odd reason, to be a blanket and a coat at the same time. Remember the Snuggie, the blanket with sleeves? Good idea, bad idea? You be the judge.

    I remember that capes were the rage one season when I was a kid. Then they came back years ago when I was an adult and, in a mad moment of nostalgia, I bought two of them. The first one was a black knitted cape. I didn’t like it, so I wore it once and gave it away. Then, noticing that capes were still in (or so said all of the morning talk shows) I folded and bought a second cape. I wore it more than once, but I always felt deep down inside, that I looked like someone people might be tempted to call “The Blanket Lady.”

    That’s when I realized that the only time wearing a cape would make sense for me would be if I were a superhero, specifically Superman or Batman, because they wear capes and they don’t look ridiculous. Their capes have meaning (they signal to the world that they are on a mission), a purpose (they somehow help them stay airborne), and trail dramatically behind them as they sore through the sky in a heroic attempt to save humanity (in other words, they look cool). This is fine and good for the likes of Superman and Batman, but a whole slew of superheroes manage to accomplish the same thing sans cape: nurses, teachers, first responders, people who rescue animals in distress, and many of the Avengers.

    Cape or No Cape? That is the question.

    In the illustrations below, notice a few salient points.

    1. He is not Superman or Batman.
    2. He is wearing a cape.
    3. He looks silly.
    4. She is not Superman or Batman.
    5. She is not wearing a cape.
    6. She does not look silly.

    In my book, Maxwell Parker, Love Doctor, Maxwell gets schooled by her new friend, Drew, on why her fashion choice may not be the best idea.

    “Okay,” Drew was saying as they stood at the entrance to one of the department stores, “I’m desperately trying to understand the concept. So, they’re not shorts, it’s not a skirt. It’s a skort?”
    “Yes. It’s like a wraparound skirt teamed up with a pair of shorts,” Maxwell tried to explain. They were going through a checklist of clothing items that Maxwell had drawn up, line by line.
    “And why is that a good idea?”
    “Well, I don’t like pants. At all. So I mostly wear shorts. But sometimes shorts just aren’t enough. Sometimes they’re too casual,” Maxwell tried to explain. “I figure a skort is a happy medium.”
    “Between what?”
    “Casual and not-so-casual.”
    “They’re sort of like those plastic eating utensils they give you at fast food joints that are not quite spoons, not quite forks. I never could understand how those were useful, and I’m still not convinced a skort is a great wardrobe choice. Do you have a lot of these…skorts?”
    “In addition to this,” Maxwell said, tugging at the denim skort she was wearing, “I have two more. Lately, they’re all I’ve been wearing.”
    “And you’d like to buy some more?”
    “Well, yes. But I haven’t seen any in any of the stores we’ve been to so far.”
    “Hum,” Drew said. “You know, there may be a reason for that…”

    So now I’m curious…what are your feelings about hybrid clothing like gauchos, capes, and/or ponchos?

  • Literary Allusions…Not Illusions

    I have blogged quite a bit about Pride and Prejudice for the simple reason that I happen to love Pride and Prejudice. I love the characters. I love the story. I love the writing.

    However, lest I give the impression that my obsession with appreciation of Jane Austen’s writings begins and ends with Pride and Prejudice, I would like to take this opportunity to say a few things about Northanger Abbey.

    For the longest time, I regarded Northanger Abbey as a throwaway Jane Austen novel, the one you could skip reading and simply watch the movie, if that. Perhaps this was because I saw the 1987 BBC movie first and found it dull, dreary, and dismal, giving one the impression that one was watching it on television set that was in the process of dying a slow, painful death, whether or not this was the case.

    I couldn’t get into the story. I couldn’t get behind any of the characters. I thought the whole idea was implausible and I simply didn’t care about any of it. At all.

    However, when Masterpiece Theater was rebranded as Masterpiece all of those years ago and all of the hopelessly dated 1970s and 1980s versions of Jane Austen movies (except for Pride and Prejudice) were revamped, I watched them all and, for the first time, Northanger Abbey piqued my interest. Prompting another, this time successful, attempt to read the novel.

    The curious thing, however, is how much it reminded me of my middle-grade novel, Maxwell Parker, P.I.,1 in that:

    1. The heroines are both avid readers
    2. Both heroines have overly active imaginations
    3. Both heroines have an unnatural interest in guts, gore and gruesomeness
    4. Both heroines suspect someone of an atrocity and then take steps to investigate

    My novel Maxwell Parker, Love Doctor, the sequel to Maxwell Parker, P.I., seems to be loosely based on Emma, another Jane Austen novel I came to late in my Jane Austen reading experience. Ironically enough, I started to/attempted to read Emma when I was about ten or eleven years old. I picked it up off the shelf at the library and opened up to the first chapter and read the first line: “Emma Woodhouse, handsome, clever and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence and had lived nearly twenty-one years in the world with very little to distress or vex her.”

    Miss Austen, I regret to inform you that this first line did not speak to ten-year-old me. Bratty, over-privileged Emma Woodhouse did not seem like a kindred spirit and I had no desire to spend any time with her, so on the library shelf she remained, and I did not become an Austen fan until I was sixteen-years-old and met kindred spirit, Elizabeth Bennet, whose opening line I much preferred. No matter. I like the book now, although, like my heroine, Maxwell, I still find Emma to be “so annoying.”2

    Just for the record, neither of my two Maxwell Parker books were intended to be reimagined Jane Austen books. Any resemblance is entirely a happy coincidence. However, I am in the process of writing a third Maxwell Parker book, and which, if any, Jane Austen book will end up inspiring it is anybody’s guess right now. As they used to say, back in the days before streaming and on-demand programming, stay tuned.

    1. Maxwell Parker, P.I. was published in 2014, but it was written long before I watched the 2007 version of Northanger Abbey. ↩︎
    2. Maxwell Parker, Love Doctor, p. 262 ↩︎

     

  • Top 5 Botched Proposals

    Top 5 Botched Proposals

    You don’t know love when you see it. You’ve tricked something out with your imagination that you think love, and you expect the real thing to look like that.

    Anne of the Island

    I have a book (Maxwell Parker, Love Doctor) that is coming out this month. How’s that for a plug?

    It’s the second book in the Maxwell ParkMaxwell Parker Love Doctor 3-Der Chronicles, a series for young readers starring my irrepressible heroine, Maxwell Parker, who sees herself as an amateur detective. However, in the second installment, she’s not sniffing out crime, she’s sniffing out love. It’s a natural progression.

    The course of true love never did run smooth. . .

    Love always seems to start off as a bit of a mystery for many of our favorite couples in literature. We seem to love the intrigue. Perhaps it gives us hope to see that so many of the great love stories didn’t start off so great after all. There were false starts, foul-ups, misunderstandings…and poorly executed proposals, yet they always (almost always) end up in a happy ever after. On the way there, we need the conflict and the tension.

    Today, I thought I’d focus on how so many of my favorite period pieces involve love gone wrong, proposals gone south, and hapless gentlemen in cravats mistakenly thinking—assuming—that their offer of marriage will be accepted simply because it was offered (and we all know what happens when you assume). While many women back in the day were grateful for and eagerly accepted any offer that came along (usually the first…Charlotte Lucas comes to mind), some of our favorite ladies in literature decided to make their men grovel just a bit longer and ultimately come back with an offer that was a bit more earnest, a tad less entitled, with all of the arrogant assumptions pitched out of the window.

    In honor of my upcoming love-themed book, I’ve composed a list of a few of my favorite botched proposals and awkward refusals from a few of my favorite movies:

    1. North and South

    Margaret Hale’s first shot at love comes in the form of Henry Lennox, a well-connected lawyer. He lazily assumes that she is fishing for a proposal of marriage, because she mentions the word wedding in his presence. He is overly confident that she, the daughter of a poor parson, will jump at the chance to be his wife. Margaret is fiercely independent and has to set him straight and send him packing.North and South

    Next she attracts the attention of the wealthy mill owner, John Thornton. He proposes to her, also confident that she will jump at the chance to improve her financial situation. She has to assure him that his ungentlemanly behavior has not impressed her. She also states that she has not yet learned how to graciously turn down proposals, and he quips back with, Oh… so I guess I’m not the first man whose heart you’ve had the privilege of breaking (or something to that effect).  When it comes to biting sarcasm, John Thornton and Elizabeth Hale are on equal footing.

    After Mr. Thornton, Mr. Bell, a friend of her father, admits that he’s interested in her as a wife/companion/nurse. As attractive as that particular offer may be, Margaret is able to graciously spurn his advances as well. She’s learning.

    And finally, John Thornton gets it right. Margaret meets him halfway, and the movie ends the way we all knew it was destined to end the first time our two leads had their first encounter.

    1. Pride and Prejudice

    First, poor Elizabeth Bennet has to deal with the ridiculous Mr. Collins’ offer, which included some very flattering reasons he has decided to enter into matrimony (to set the right example and as a way to kiss up to hisPride and Prejudice boss), a bribe (if you marry me, I won’t turn you and your mother and sisters out on your ears when your daddy dies and I inherit your estate), and a thinly veiled insult (I wanted to marry your prettier older sister but a little bird told me she’s already spoken for).

    Then she has to face Mr. Darcy’s quite rude admission: I find you and your family disgustingly beneath me, yet I have been hypnotized by your eyes. I love you in spite of myself. Please, put me out of my misery. That Darcy sure did know how to sweet-talk a girl. He should have just carried a miniature painting of his estate in his coat pocket.

    Being a self-respecting regency woman, Elizabeth had to turn this tempting offer down, and she did so in style. Darcy was chastened—to say the least—and later returns with a much more satisfying proposal, one that was worthy of the woman he was wooing.

    1. Little Women

    How could Teddy (Laurie) have been so blind? How did he not pick up on any of the many signals that Jo tried to send that she was not looking for a proposal? She never wanted to move him out of the friend category. Why did he think he could change her mind?

    Here’s is a hint for wannabe suitors: When the girl says, “No, Teddy, please don’t,” now is not the time to stubbornLittle Womenly plow ahead. Now is the time to regroup and reassess the relationship.

    Also, using the line “Everyone’s expecting it” generally never works because she will then counter it with the reasonable-sounding, “Then we’d be doing it for all the wrong reasons.” And there’s no way you can answer that.

    You have to give Laurie an A for effort, though. His failed proposal and subsequent heartbreak is one of the most touching moments in all love stories.

    On a side note, does anyone else love that Laurie grew up to be Batman? (Or am I confusing real-life with fiction again? Oh well, it happens).

    1. Far From the Madding Crowd

    Shepherd Gabriel Oak’s first clumsy attempt to court Bathsheba Everdene was something of a “Me, Tarzan…you, Jane,” caveFar From the Madding Crowdman approach. Although, I have to say, I sort of melted at the sight of the baby lamb and when he said, “I love you far more than common!” I mean, come on…who says that?

    Over time, he learns to refine his approach and Bathsheba learns to genuinely love him, and somehow I feel that their relationship, more than any other in literature, is one that is based on mutual affection and respect. (Never mind the fact that between Gabriel Oak’s first and final proposal, Bathsheba mischievously toys with the affections of a middle-aged bachelor gentleman farmer who lives nearby and drives him to the point of homicidal mania or that she succumbs to the advances of a gold-digging, pretty boy, love child of a noble and almost loses her fortune to him!) The salient point is that in the end, things worked out for Bathsheba and Gabriel.

    1. Anne of Avonlea (Anne, the Sequel)

    Like Laurie, Gilbert misread all of the signs and projected his feelings on to Anne. Sort of. The truth was, Anne did love Gilbert, but she wasn’t ready to admit it to herself just yet. His profession of love was premature, her protestaAnne of Avonleation against love was as ridiculous as it was futile.

    Anne goes on to attract the attention (in the movie…not the book) of a rich widower, Morgan Harris, who gives Anne the proposal of her dreams, forcing her to wake up and smell the wholesome sea air and realize that she’s meant to stay in Avonlea and live blithe-fully ever after with Gilbert.

    Fortunately for them (and for us), Gilbert got what alluded Laurie: a second chance and, for him, the second time was the charm.

    In the Anne books, Anne is subjected to a whole series of proposals gone wrong from all manner and form of suitor (suitable and otherwise), which leaves us amused and her traumatized and primed for Gilbert’s second, final, and ultimately successful attempt. And Anne learns something we all do well to remember:

    “Perhaps, after all, romance did not come into one’s life with pomp and blare, like a gay knight riding down; perhaps it crept to one’s side like an old friend through quiet ways; perhaps it revealed itself in seeming prose, until some sudden shaft of illumination flung athwart its pages betrayed the rhythm and the music, perhaps . . . perhaps . . . love unfolded naturally out of a beautiful friendship, as a golden-hearted rose slipping from its green sheath.”

    Lucy Maud Montgomery

  • My Big Publishing News

    Maxwell Parker, P.I. 3D cover 2022

    It’s official. My new book, Maxwell Parker, P.I. is available…as of right now!
    For more details about the story, to find out what inspired me to write it, or to watch the book trailer, please see this previous post:

    Maxwell Parker, P.I. is also available on Amazon.com.

    For the Kindle edition, click here.